There is not much information about his life. The date of birth is deduced from the Rollo of all the painters of the Collegio novo of 1726, in which we read that he was forty-two years old, resident in San Giovanni Decollato, without children or even assistants.1702-1721 During the years, he joined the group of painters. Girolamo Brusaferro attended Niccolò Bambini's school in his youth, where he learned the rules of good painting. Read the full biography
Do you own a work by Girolamo Brusaferro and want to sell it? Entrust it to our appraisal and auction services.
We have successfully handled 2 artworks by Girolamo Brusaferro , all sold at prices exceeding their initial estimates.
Request a free valuation
Our specialists are always available to provide free and confidential valuations and appraisals.
There is not much information about his life. The date of birth is deduced from the Rollo of all the painters of the Collegio novo of 1726, in which we read that he was forty-two years old, resident in San Giovanni Decollato, without children or even assistants.1702-1721 During the years, he joined the group of painters. Girolamo Brusaferro attended Niccolò Bambini's school in his youth, where he learned the rules of good painting. He then followed the path of Sebastiano Ricci and finally developed his own style, somehow translating the two masters. [1] As Pietropolli underlines, «in fact, in Brusaferro, the coexistence of eighteenth-century elements with other late Baroque elements, of clear infantile derivation, such as the three-dimensional figures of the figures, is characterized by a strong The gestures of the hands and the appearance are one of the instruments most used by Gerolamo. The rather dense color of the shades of red and brown is also characteristic of Brusaferro, who never reaches full rococo luminosity.[2] One of the best places in Brusafello, Venice, is in the Church of San Moise, to the right of the opposite entrance, it is a wonderful crucifixion, the gaze lost between the vitality of the cross and the desperate abandonment of the Madonna.
